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What is Calligraphy? What distinguishes good calligraphy from bad? Learn Japanese Calligraphy A Brief History of Japanese Calligraphy (sho) Notes on Japanese Poetry Further Reading What is Zen? ConnectedGlobe index

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Japanese Calligraphy (continued)


by Graham Hawker

This brief note on Japanese Calligraphy may have created a wish to learn more of this fascinating and beautiful subject. Further information can be found in the following books:

An introductory manual for writing Chinese characters specifically designed for English-speaking readers. The author guides the reader through the fundamentals of writing and introduces the various scripts used in China. This book teaches the principles of sound and beautiful writing - the names of the strokes, the order in which they are written, aesthetic principles, and the common radicals. Not only does it show exactly how to create each stroke, it also shows the various wrong ways to draw each stroke and even names the errors. Probably the best book you will find for learning the basic foundation skills.
An excellent book for beginners learning to write Kanji and Hiragana. The detailed instructions are excellent and show you how to write each symbol step by step. The book covers 75 kanji, giving the meaning and pronunciation as well.

Materials and techniques are explained and there is a short history of Chinese and Japanese calligraphy. The calligraphy appreciation section is not only a great aid, it is also a great encouragement to learn more about this wonderful subject.
Brush Meditation introduces beginners and non-artists alike to working with brush and ink as a form of "moving meditation." By showing you how the most elemental brush strokes reveal your physical and mental state, it teaches you to become "one with the brush," attuned to the underlying principles of life and nature. As the text explores the intricate relationships of mind, body, and brush, it delves into the mysteries of human life energy, or ki, and the power of the hara, a natural abdominal center. Simple exercises demonstrate how to use the brush in spiritual practice, while illustrations guide every step.
A new edition of the divinely designed explication of Eastern calligraphy, invoking the rich tradition of Japan, China, India, and Tibet to illustrate both the technique and significance of the characters. The volume provides historical background and reflects on the art of copying religious texts.
The 214 radicals (basic characters) are explained with their history and with illustrations of the character's evolution from ancient pictographs to its current form. There is also a step-by-step demonstration on how the strokes are arranged and in what order they are written. Chinese friends tell me that the characters illustrated are not written with great style but a Western beginner to calligraphy could feel very happy producing work at this level.
Looks at the historical and spiritual background to calligraphy and its releveance to Zen philosophy. Excellent for those wanting to explore this art form but a beginner wishing for practical help would be better with "Brush Writing" by Ryokushu Kuiseko.
This book sets out the rules of kanji (chinese characters) stroke order and groups the kanji by radical. It is an excellent introduction to 500 commonly used kanji.
An excellent book for learning the 48 characters of Hiragana. A clear and easy to follow primer that will allow you to master these basic Japanese characters.
Created spontaneously, Zen art ranges from intensely brushed calligraphic poems and emphatically gestural abstract shapes to roughly hewn, often humorous portraits of the Zen patriarch and his followers. This book brings together masterpieces of painting and calligraphy created by Japanese monks, who turned to visual imagery as an aid to meditation, as an expression of enlightenment, and as the purest form of transmitting Zen principles. The illustrations are accompanied by text which explains the fundamentals of Zen culture and includes many translations of Zen prose, poetry and sayings.

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Last updated 6 July 2019


This document was last updated 22 July 2019


© 2019 Graham G Hawker
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